Heian period

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Miniature model of Heian-kyō, the capital during the Heian period

The Heian period (平安時代, Heian jidai) is the last division of classical Japanese history, running from 794 to 1185.[1] It followed the Nara period, beginning when the 50th emperor, Emperor Kammu, moved the capital of Japan to Heian-kyō (modern Kyoto).

Heian (平安) means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court, noted for its art, especially poetry and literature. Two syllabaries unique to Japan, katakana and hiragana, emerged during this time. This gave rise to Japan's famous vernacular literature.

Developments in Buddhism

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Danjō-garan on Mount Kōya, a sacred center of Shingon Buddhism
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Painting of the bodhisattva Fugen Enmei (Samantabhadra). Ink on silk, 12th century

The Heian period saw the rise of two esoteric Buddhist sects within Japanese Buddhism, Tendai and Shingon.

Tendai is the Japanese version of the Tiantai school from China, which is based on the Lotus Sutra, one of the most important sutras in Mahayana Buddhism. It was brought to Japan by the monk Saichō. An important element of Tendai doctrine was the suggestion that enlightenment was accessible to "every creature".[2] Saichō also sought independent ordination for Tendai monks.[3] A close relationship developed between the Tendai monastery complex on Mount Hiei and the imperial court in its new capital at the foot of the mountain. As a result, Tendai emphasized great reverence for the emperor and the nation. Emperor Kanmu himself was a notable patron of the otherworldly Tendai sect, which rose to great power over the ensuing centuries.

Shingon is the Japanese version of the Zhenyen school from China, which is based on Vajrayana Buddhism. It was brought to Japan by the monk Kūkai. Shingon Buddhism emphasizes the use of symbols, rituals, incantations and mandalas, which gave it a wide appeal.[4] Kūkai greatly impressed the emperors who succeeded Emperor Kammu, and also generations of Japanese, not only with his holiness but also with his poetry, calligraphy, painting, and sculpture. Both Kūkai and Saichō aimed to connect state and religion and establish support from the aristocracy, leading to the notion of "aristocratic Buddhism".[5][6]

The texts, liturgies, implements, and rituals that were imported from China to Japan during this period are known collectively as Mikkyō ("esoteric teachings").

Notes

  1. ↑ Encyclopædia Britannica.dsa
  2. ↑ Kitagawa 1966 p. 60.
  3. ↑ Kitagawa 1966 p. 61.
  4. ↑ Kitagawa 1966 p. 65.
  5. ↑ Weinstein 1999.
  6. ↑ Kitagawa 1966 p. 59.

Sources

  • Kitagawa, J., Religion in Japanese History (New York: Columbia University Press, 1966)

Further reading